A Different Man review – an atmospheric, quirky thriller
Directed by Aaron Schimberg and starring Adam Pearson, Renate Reinsve, and Sebastian Stan, A Different Man offers a unique blend of tension and humor. Schimberg’s previous work, Chained For Life, hinted at a promising career, and this latest effort further proves his skill in crafting engaging narratives.
The story centers on Edward, portrayed by Sebastian Stan, who lives with neurofibromatosis, a condition that leaves his face marked by sizable benign tumors. This has led to a life filled with judgment and misunderstanding from those around him in New York. While Edward’s aspirations lie in acting, he finds it nearly impossible to secure roles; the perceptions of his neighbors—fear, disgust, or mockery—restrict his opportunities.
Life takes an unexpected turn when a new neighbor introduces herself as a playwright. Edward finds himself enchanted by Ingrid, played by Renate Reinsve, but doubts she could ever see him as more than a friend. This changes when Edward’s doctor suggests a groundbreaking drug trial that could eliminate his tumors. For the first time, he contemplates the prospect of looking “normal.”
As he embarks on this transformation, the process is depicted in a visually striking and somewhat grotesque manner—his skin peels away, uncovering a more traditionally attractive face beneath. This change brings Edward a rush of joy, but it also stirs a profound sense of horror. Despite the cosmetic alteration, Edward’s deep-seated insecurities remain, complicating his newfound success as he transitions into a career in real estate.
The film’s exploration of the duality of appearance and self-worth is echoed in Edward’s encounter with Oswald, portrayed by Adam Pearson. Oswald embodies the confidence and charm that Edward struggles to embody, despite sharing a similar condition.
A Different Man stands out for its balance of humor and dark themes, reminiscent of Dostoevsky’s The Double and elements from David Lynch’s The Elephant Man, albeit with a touch less sentimentality. Schimberg successfully reinvigorates some familiar tropes regarding beauty and social acceptance through the performances of his cast, particularly Adam Pearson, who provides a compelling counterbalance to Stan’s more anxious portrayal of Edward.
Despite some pacing issues in the second half, the film captivates with its atmospheric tension and astute commentary on the often patronizing views toward differences and disabilities. It dives deep into complex themes surrounding identity, authorship, and the often unspoken narratives of individuals who exist outside societal norms.
A Different Man is a testament to Schimberg’s evolving voice as a filmmaker and offers audiences a memorable viewing experience that deftly examines societal perceptions of beauty and the lives affected by them.